Dumile had used the spelling variant “M.F. In 1999 Fondle ‘Em released MF Doom’s first full-length LP, Operation: Doomsday, which included these singles and their b-sides, and additional tracks. MF Doom’s mask has undergone at least one design revision since its adoption (it is now an altered version of the mask worn by the character Maximus Decimus Meridius in the film Gladiator).ĭumile released three singles on “Bobbito” Garcia’s Fondle ‘Em Records, “Dead Bent,” and “Greenbacks” (1997), and “The M.I.C.” (1998). Clean,” “?,” and in earlier photos with KMD. He wears this mask while performing and isn’t photographed without it, except for very short glimpses in videos such as Viktor Vaughn’s “Mr. However, the MF Doom mask more closely resembles the same mask that Russel Crowe wears in the movie, “Gladiator” during the matches at the Colosseum, so it is unclear at this point as to exactly where the mask inspiration originated from. He meanwhile had taken on a new identity, MF Doom, patterned after and wearing a mask similar to that of Marvel Comics super-villain Doctor Doom, who is depicted rapping on the cover of the 1999 album Operation: Doomsday. In 1997, Dumile began freestyling incognito at open-mic events at the Nuyorican Poets Café in Manhattan, obscuring his face by putting a stocking over his head. According to interviews with Doom, he was also “recovering from his wounds” and swearing revenge “against the industry that so badly deformed him.” Black Bastards had become bootlegged at the time, leading to Doom’s rise in the underground hip-hop world. He testifies to disillusionment and depression, living “damn near homeless, walking the streets of Manhattan, sleeping on benches.” In the late 1990s, he left New York City and settled in Atlanta. With the loss of his brother, Dumile retreated from the hip-hop scene from 1994 to 1997. Before the release of the album, it was shelved due to controversy over its cover art, which featured a cartoon of a stereotypical pickaninny or sambo character being hanged from the gallows. The group was subsequently dropped from Elektra Records that same week. Subroc was struck and killed by a car in 1993 while attempting to cross a Long Island expressway before the release of a second KMD album, titled Black Bastards.
Hood, which became a minor hit through its singles “Peachfuzz,” “Who Me?” and heavy video play on cable TV’s Yo! MTV Raps and Rap City. A&R rep Dante Ross learned of KMD from the hip hop group 3rd Bass, and signed the group to Elektra Records.ĭumile and KMD’s recorded debut came on 3rd Bass’s song “The Gas Face” from The Cactus Album, followed in 1991 with KMD’s album Mr. He then moved with his family to New York and was raised in the city of Long Beach, New York on Long IslandĪs Zev Love X, he formed the group KMD in 1988 with his younger brother DJ Subroc and another MC called Onyx the Birthstone Kid. His work with Madvillain has been covered by the New Yorker, as has his entire career.ĭumile was born on Januin London, England, the son of a Trinidadian mother and Zimbabwean father. He is also renowned for bringing comedy back into the sometimes overly serious world of rap lyrics and a unique, sample-heavy production style.
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Japanese science fiction is also an influence the concept for King Geedorah (which is derived from Ghidorah) and the Monsta Island Czars comes from the Godzilla movie series. He is heavily influenced by American comic books (especially the Fantastic Four and their battles with Dr. Little is known about his personal life.ĭumile’s eccentric wordplay makes him a favorite of underground hip-hop fans. He has also been known as Zev Love X, King Geedorah, Metal Fingers, Viktor Vaughn, DOOM, and has appeared in several collaborative projects such as DangerDoom (with Danger Mouse), Madvillain (with Madlib), JJ DOOM (with Jneiro Jarel) and NehruvianDOOM (with Bishop Nehru). Daniel Dumile (“doom-uh-lay”) is a British born American hip-hop artist who has taken on several stage names in his career, most famously MF DOOM (standing for metal fingers/metal face doom).
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